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Printmaking: 
​Figurative Juxtaposition & Hybridity

How do artists create social commentary through use of juxtaposition and the art of printmaking?


Materials Needed
  • 9 x 13 in. Linocut sheet
  • 9 x 13 in. Vellum tracing paper
  • B - 6B drawing pencil
  • Ballpoint pen or sharpie
  • Linocut cutter tool
  • inking plate
  • Brayer
  • Baren
  • printmaking ink
  • ink palette knife
Procedure
  1. Take a photograph of yourself or a friend as the figurative subject, or find a photo from your own photo archive.
  2. Trace or draw the figure on vellum tracing paper with "B" or softer pencil.
  3. Add to the drawing by creating an environment or other visual information that pertains to the social issue you're interested in.  Create juxtaposition or hybridity within your composition to enhance your message.  Use your small 2x2 inch block image as part of the juxtaposition in your composition.
  4. Flip your drawing upside down onto your Linocut block.  Rub with your finger to transfer the image.
  5. Using the Linocut cutting tool, begin the linocut process of "shaving" the areas you'd like to leave white.  The areas that are "left untouched" will hold the ink and will be the printed image.
  6. When ready to print, using the inking plate, palette knife, ink and Brayer, roll a fine layer of ink over your printing block. 
  7. Print your image - rub the paper over the printing block with the Baren.

Elizabeth Catlett

Picture
Elizabeth Catlett Bio

What's Wrong with the World Today?

Titus Kaphar
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  • Home
  • Courses
    • eLearning Day
    • AP Studio Art >
      • AP Drawing
      • AP 2D Design
      • AP 3D Design
    • DL AP Studio Art
    • Drawing A
    • Drawing B
    • Drawing C
    • Jewelry / Metals A
    • Sculpture
    • DL Ceramics B/C
    • Ceramics A
    • Ceramics B
    • Ceramics C
    • Computer Art >
      • A >
        • Unit 1 - Photoshop Basics - Graphic Design
        • Unit 1 - Photoshop Basics
        • Unit 2 - Clone Multiplicity - Layer Masking
        • Unit 2 - 3D Tools: Photoshop CS5
        • Unit 3 - Surrealism & Digital Art
        • Unit 4 - Illustrator Basics & Vector Art
        • Unit 5 - Illustrator Logo Design
        • Extra Cred - 3D Imaging Oldschool!!!
        • Doodle 4 Google
      • B >
        • Unit 1 - Illustrator Basics & Vector Art
        • Unit 2 - Illustrator Logo Design
        • Unit 3 - After Effects CS5 Animation
        • Unit 3 - After Effects Lightsaber >
          • Student Examples - After Effects CS5
        • Unit 3 - Stop Motion Animation
        • Unit 4 - Illustrator to After Effects
        • Unit 5 - Cloning in After Effects
        • Unit 6 - Motion Tracking Fire Hands
        • Unit 5 - 3D Effects & Imaging
    • Painting >
      • A >
        • Unit 1 - Color Theory
        • Unit 2 - Tempera: Cultural Connection Parody
        • Unit 3 - Acrylic #1 - Classical Layering
        • Unit 4 - Acrylic #2 - Alternative Mediums
        • Unit 5 - Water Color
        • Unit 6 - Final Digital Portfolio
      • B >
        • Unit 1 - Watercolor Composition
        • Unit 2 - Oil Painting Sticks
        • Unit 3 - Identity Self Portrait
        • Unit 4 - Encaustic Painting
        • Unit 5 - Final History Composition
      • C >
        • Unit 1 -
        • Unit 2 -
        • Unit 3 -
    • Design: G,C,&SA >
      • Unit 1 - Understanding Art & Design
      • Unit 2 - Variety & Unity Poem Illustration
      • Unit 3 - Typography & Logo with Ligatures
      • Unit 4 - Logo Design
      • Unit 5 - Graffiti Lettering
      • Unit 6 - Comics & Character Design
      • Unit 7 - Character Development & Designer Toys
      • Unit 8 - Street Art
  • Syllabus
  • Expectations
  • Art Club
  • More About CrimsonArt
    • Meet Mr. Manders >
      • Teacher Examples
    • Standard Assessment
    • Arts Design Cycle
    • Resources / Site Bibliography